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When Jay Z acquired the Swedish company Aspiro in early March for $56 million, he had big plans to expand the company worldwide. Just a few weeks later the Roc Nation boss re-launched the company's streaming arm, Tidal, with the idea of offering fans high definition music and exclusive videos for $19,99 a month for Lossless High Fidelity sound quality. For those not interested is shelling out $20 a month there is the $9.99 standard service.
With stars like Usher, Rihanna, Madonna, Kanye West, Nicki Minaj and others on board things looked promising initially.
But a new report by Tero Kuittinen of BGR.com provides facts that suggest that Tidal is already losing ground to it's main competitors. Read it below.
When Tidal made its big media push at the end of March, the core message was clear: while other streaming music services like Spotify and Pandora pay a pittance to artists, Tidal offers musicians a better deal. Unfortunately, Tidal also opted to use super stars like Nicki Minaj and Beyonce as spokespersons for the app. The result was the ultimate mixed message: You should feel sorry about how little money Nicki makes.
Two weeks after Tidal briefly cracked the U.S. iPhone top 20 download chart, the app has crashed out of the top 700. Apparently American consumers have limited empathy towards Beyonce and Nicki. Soon after the launch fiasco, Tidal’s CEO was kicked out in a “streamlining” move. The new CEO Peter Tonstad, a former consultant for the Norwegian Ministry of Environment, has his work cut out for him.
To make matters worse for Tidal, its main rivals are now surging. On April 20th, Pandora and Spotify occupied positions No. 3 and No. 4 on the U.S. iPhone revenue chart, respectively. This was the first time two music streaming services have hit the top 4 in sales simultaneously. In order to achieve the feat, Pandora and Spotify had to push Candy Crush Saga out of U.S. iPhone top 4 revenue chart, which is a remarkable achievement.
As a matter of fact, something curious can be seen in Spotify’s download performance right after Tidal media campaign started bashing its allegedly meager payouts. Spotify surged back into the iPad top 40 download chart on March 31st, right when Tidal’s anti-Spotify invective hit its peak in American media. This had not happened since November 2014.
It looks like Tidal’s attacks on Spotify and Pandora actually managed to increase public awareness of the services, boosting Spotify’s download performance in particular at the end of March. And now, a few weeks later, the combined revenue performance of the two music apps is hitting a new milestone. To add insult to injury, Beats Music has started cracking U.S. iPhone top 20 revenue chart.
This is the problem with attacking popular apps – negative media coverage often ends up just boosting them. Twitter rode a flurry of mocking or downright hostile news items to mainstream success. Snapchat leveraged sexual panic of US media about naughty photos to becoming a teen obsession. You can’t badmouth a strong app into a decline. In the hyper competitive app market, any media attention buoys apps with genuine consumer appeal.
Tidal is now facing no fewer than three deep-pocketed rival music apps and they’re all minting money and riding strong momentum. The new CEO must somehow find a way to mop up after the ill-advised March launch and find a way to reposition Tidal in a crowded market… preferably by not trying to make consumers feel bad for multimillionaires. Or giving its rivals extra attention.
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