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Wendy Day explains how Freddie Foxxx forced
Birdman to apologize to her for not being paid for her
services to Cash Money. In the first of a two-part
interview with Nah Right, industry insider Wendy Day
explained to writer Jimmy Ness how she helped
broker deals like the signing of No Limit Records to
Priority and a $30 million distribution deal with
Universal for Cash Money.
Running down a number of behind-the-scenes stories,
Day, who founded the non-profit organization Rap
Coalition in 1992, detailed how Cash Money long \
operated as a shady business by not paying
employees, rent, and associated business operations
expenses. When the company and Birdman
continually refused to pay her for her services, Day
explained that Birdman was forced to apologize by
gunpoint by rapper Freddie Foxxx.
“They just cut off communication,” she said when
asked about not being paid by the label. “At one point,
one of my artist friends bumped into Birdman and put
a gun to his head and made him call and apologize to
me, which he did. He [Birdman] called me up and said
“oh, your friend just pulled me out of Hot 97 and I’m
here on the street, on my knees and I want to
apologize to you.
I really didn’t care about the apology. I wanted to
know, why would somebody shit on someone that
changed their life for the better? I just couldn’t wrap
my head around that and he couldn’t really give me a
good answer. Maybe because he was a little scared
himself based on the situation.”
Day added on, “He [Birdman] said to me, ‘sue me,
when I have to pay you, you’ll get paid.’ He said it very
nonchalantly and very matter-of-factly, and as time
wore on I saw that he didn’t pay anybody. He didn’t
pay the t-shirt manufacturers, he didn’t pay the Fruit of
Islam for security, he didn’t pay security guards for
security, he didn’t pay his staff, he didn’t pay his office
rent. They didn’t pay anybody.”
When asked about the artist that forced the apology,
Day admitted that it was Freddie Foxxx. “It was
actually Freddie Foxx and I think that he has spoken
about it so I don’t think it’s incriminating,” she said,
“plus more than seven years have passed.”
Elsewhere in the interview Day detailed her work with
Tupac Shakur—”it was for his company to set up day-
care centres, a record label and community centres”
she said—and dealings with G-Unit, Slick Rick, Master
P, and more. The second part of Jimmy Ness’
conversation with Wendy Day will include details of
her role in helping Dr. Dre discover Eminem and more
about her experience in the industry.
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